Choreographic work

Recent work

Venae

Choreography

Glen Lambrecht

Music

Ezio Bosso | Symphony No.2 Under the trees voices

Light design

Jakub Julinek

Costume design

Antonio Escobedo

Ria Van Looveren

Solist Belgium

Radka Uradnikova

Tea Tomkova

Set design

Ballet master

Photography

Arthur Abram Photography

World premiere on March 1, 2024. Balet NDB 2, Reduta Theater, Brno, Czech Republic.

Revivals: August 2025, GLP, Eeklo, Belgium.

Venae, a creation for the junior company of the National Theater Brno, Czech Republic. Under the direction of artistic director Mario Radacovsky. Venae is a reflection on the ‘anchors’ of norms and standards with which society often binds and limits our individuality.

Those who strive to be themselves become a kind of deviation from the norm, a rarity. The deep connection between nature and humans is underscored by the music of Ezio Bosso, in particular his 2nd symphony Under the Trees Voices. Just as the roots of trees flow upward to the crowns of life, the veins are the channel of life to our hearts and thus the channel to humanity.

Duration: 22 min

In Minor

Choreography

Glen Lambrecht

Music

Nicholas Britell

Thomaso Giovanni Albinoni

Light design

Glen Lambrecht

Costume design

Antonio Ferriol Escobedo

Ria Van Looveren
Brigitte Uyttendael

Set design

Ballet master

Photography

KODEC Photography

Minor, a duet for two men, was choreographed by Glen Lambrecht at the request of An Van den Broeck. The choreography symbolizes an individual searching for his own value within a dominant society. In Minor premiered on April 10, 2023, at the Handelsbeurs in Ghent.

It was later performed by invitation at the Capitool, also in Ghent, and at the Cultuurhuis in Merelbeke. Minor was also warmly received internationally. It was performed in Asturias, Spain, and during the opening gala of the Moravian State Theater Olomouc in Plumov, Czech Republic.

Premiere: 10.04.23 Handelsbeurs Ghent Belgium

Revival: Ghent, Merelbeke Belgium, Asturias, Valencia, Spain, Plumov, Czech Republic.

King’s Court

Choreography

Glen Lambrecht

Music

Wojciech Kilar. Piano Concerto I,II.

Light design

Tomas Prikry

Costume design

Barbora Raskova

Set design

Barbora Raskova

Ballet master

Barbora Raskova

Photography

Serghei Gherciu

World premiere on February 21, 2025, Balet MDO, Olomouc, Czech Republic

The choreographic work King's Court moves on the border between history and the present, where desires and social obligations collide. The story is based on the romantic escapades of King James IV, who as a young man balanced his sexual identity with his royal duties. At a time when society is facing a backlash against recent gains in personal freedom, this work reminds us how close we are to repeating history.

In these uncertain times, the choreographer lets movement speak where words fall short. What the voice cannot carry, what speech cannot contain, becomes visible here — because being loud is also vulnerable.
Wojciech Kilar's Piano Concerto echoes the tension between passion and restraint that the court of James IV had to maintain. As music and choreography merge, a time capsule of masked desires unfolds. Is acceptance merely a façade of tolerance, and do we still live under the shadow of archaic beliefs, while history repeats itself?

Duration: 47 min

Kafka | The Trial

Choreography

Glen Lambrecht

Music

Carolina Shaw. The observatory

Light design

Jakub Julinek

Costume design

Pavel Knolle

David Janosek

Set design

David Janosek

Ballet master

Thoriso Magongwa

Photography

Pavel Hejny

World premiere on October 22, 2025, Balet NDB, Janacek Theater, Brno, Czech Republic

In my abstract ballet interpretation of Kafka's The Trial, Kafka and Josef K. merge into one being, trapped in a nightmarish system in which logic and identity are slowly eroded. Caught up and swept away in an absurd, ritualistic process, presided over by bureaucratic specters and invisible judges, he moves inexorably toward a symbolic execution. Through the figure of the protagonist, the work reveals the gradual disintegration of the self when confronted with an omnipotent and intangible system—and the inevitable complicity in one's own condemnation.

Duration: 12 min

Resemblance of Femininity

Choreography

Glen Lambrecht

Music

Peter Breiner

Light design

Glen Lambrecht

Costume design

Peter Canesky

Set design

Milan Ferencik

Ballet master

Nikoletta Stelikhova

Photography

Peter Brenkus

World premiere November 30, 2018 / Slovak National Ballet, Historical Building, Bratislava, Slovakia.

Charisma, caring, empathy, intellect, and leadership—I portray the five fundamental female characteristics through five distinctive movements. The movements are inspired by the music and lyrics of the Beatles. The identical male and female costumes express the universal variability of male and female characteristics.

The long and winding road is a metaphor for the powerful female personality.

Resemblance of Femininity is part of the mixed bill program Beatles Go Baroque for the Slovak National Ballet.

"On the minimalist stage, Glen Lambrecht succeeded in portraying the spirit of that era—with all its nobility and elegance—purely through movement. With a sense of tradition, he skillfully wove in a more modern approach, capturing the personal tragedy and inner turmoil of the individual."

King's Court

Veronika Holeckova - Opera Pluz CZ